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The presents “John Thompson ’72: Infinite Variation” at the Bernard and Louise Palitz Gallery in New York City through Sept. 29. Featuring works that span Thompson’s entire career, from his roots at ���ӽ� University to his most recent prints, the exhibition examines his distinct approach to nature and printmaking.

Traditional printmakers create custom matrices for each new print, whereas Thompson re-uses existing matrices as building blocks, recombining and reimagining them across compositions. It’s an approach rooted in the studio culture he encountered at ���ӽ� as a student, where, as he puts it, the message was “experiment, experiment, experiment.”

The practice, which inspired the exhibition’s title, surfaces a sustained, close observation of nature. Notably, Thompson highlights the waving grasses, vertiginous stalks, and rippling ponds seen throughout the natural world, but specifically in the gardens—including his own—that he loves.

“To think about a world without gardens and flowers and art and music—why bother?” says Thompson. ”There’s an enduring quality in creating artwork … it provides hope for society.”

The exhibition holds a particular significance for the Art Museum, which presents the work of an alumnus on a New York City stage. “Many printmakers treat the matrix as a means to an end. John treats it as a collaborator,” says curator Melissa Yuen. “Each new composition is in dialogue with everything he has made before.” Thompson received a B.F.A. from ���ӽ�’s in 1972 and the exhibition traces the arc of his career which began here and has since earned international recognition.

Thompson holds additional degrees from the University of Wisconsin-Madison (M.A.), Babson College (MBA) and Massachusetts College of Art and Design (M.F.A.), where he has also taught.

He maintains studios in Waltham, Massachusetts, and Harpswell, Maine, and collaborates with master printers Peter and James Pettengill at Wingate Studio in Hinsdale, New Hampshire, and Susan Oehme at Oehme Graphics in Steamboat Springs, Colorado.

His work is held in public collections, including Massachusetts General Hospital, Spaulding Rehabilitation Center and Mt. Auburn Hospital, and has been exhibited at Adelson Galleries, Childs Gallery and the Sunshine Museum in Beijing, among venues nationally and internationally.

Reflecting on the opportunity to share his work in New York, Thompson returned to a theme that has guided his practice: generosity. “A successful piece of art on the wall should be thought about the same way we do concerts and things,” he says. “It’s something to be shared amongst many, not to be hidden away.”

The ���ӽ� University Art Museum stewards a collection of more than 45,000 works spanning 4,000 years. Located in the Shaffer Art Building on the ���ӽ� University campus, the museum serves as a museum-laboratory for teaching, research and community engagement and provides free admission for all. The museum’s Bernard and Louise Palitz Gallery in New York City extends that mission to a wider audience. For more information and gallery hours, please visit .